"In this exquisite second collection from his long-running weekly San Francisco Chronicle series All Over Coffee, Madonna captures snapshots in time as he explores the relationship between image and text, with a mixture of single- and multi-panel strips all presented vertically. Completely devoid of people but never of life, each panel revolves around a geographical setting, from recognizable landmarks like the Golden Gate Bridge to an anonymous block that's so gorgeously rendered in Madonna's precise yet fluid pen-and-ink style, it feels like it could be anywhere and everywhere. The integration of text—from snippets of fiction and autobiography to single sentences stretching across panels—is as deliberate as the pen strokes and ink washes, and as essential to grasping the complete picture. Though there are no conventional narrative arcs, Madonna continually revisits such themes as place and memory as he deconstructs the traditional storytelling elements in this 'comic strip without the comic, whose main and only character [is] setting.' With pieces depicting San Francisco, New York, Barcelona, and Tokyo, Madonna's work is something to savor, because, as the artist writes, you 'want to absorb every moment of this, enjoy every second.'"—Publishers Weekly (starred review)
"The book is fantastic. Of time and tenderness. Beautiful drawings. Beautiful text. Ethereal and serious at once. The book is its own reward."—Maira Kalman, author of And the Pursuit of Happiness
"In Everything is its Own Reward, Paul Madonna has not only pressed graphic fiction way beyond its present boundaries, he has created a new and stunning art form where the stand-alone brilliant visuals and the hauntingly human words synthesize into a pure and irreducible aesthetic vision. This book taught me something fundamental and true and beautiful about the ineffable thereness and thingness of life. Everything is its Own Reward is a work of genius."—Robert Olen Butler, author of A Good Scent from a Strange Mountain
"You don't have to have lived in or loved San Francisco to fall under the spell of Madonna's mysterious and largely unpeopled cityscapes. San Francisco isn't the only place he draws with the miraculously exquisite attention on display here (Paris, Rome and Buenos Ares also appear) but something about the fog off the bay makes it particularly well suited to his dreamy and surprisingly emotional pen-and-ink images. Madonna eschews well-known and much-photographed places in favor of the spaces between old Victorians, neglected corners, intersections that seem to cant dangerously into space, vistas of rooftops bristling with pipes and ganglia-like clusters of power lines, all paired with short enigmatic stories and reflections on art, memory and love. This book is the second collection of 'All Over Coffee,' a 'strip' Madonna draws for the Sunday arts section of the San Francisco Chronicle. There's also a free app, too, if you'd like to see a sample, but only paper can do justice to the eerie radiance of Madonna's artwork, and the cumulative effect of its 176 pages is ravishing."—Laura Miller, Salon.com
"Paul Madonna is a pen master. His work is difficult to categorize but that he was MAD magazine's first art intern may help explain his ability to capture human experience in its odd fullness. In his All Over Coffee comic strip, published in the San Francisco Chronicle since 2004, Madonna's evocative pen-and-ink drawings of cityscapes are accompanied by handwritten bits of overheard conversations, mini-stories, and zen-ish musings like: 'It takes perpetual work to keep life simple.' The new anthology Everything Is Its Own Reward: An All Over Coffee Collection (City Lights) is a treasure chest that comes with a pullout poster inside."—Boston Globe
"One flip of the page and you’ll be hooked on his melancholy world of beauty, stillness, and reflection."—7x7
"In addition to the many lovely images and a briefly annotating afterword, the book also has a poster folded up inside its back cover, wherein he gazes at some brutalist-anonymous apartment building—on Russian Hill, maybe?—and suggests vital details of the lives going on inside it: 'Lies about owning a TV' or 'Starts every sentence with "I feel like"' or 'Lobbies government agencies and airlines to provide family and nonfamily flights so that people without children can fly without having to listen to screaming kids.' Hey, look: It's us."—SF Weekly
"It's not the spirit of any particular place that Madonna captures so well but rather a quality of life, a state of mind, predicated on the luxury of having an existence in which the only dramas to speak of are personal."—Art Practical
"Madonna gets an extra chills-up-the-spine boost from his illustrations of semi-familiar San Francisco architecture and intersections, lucid as etchings of bleached Kodachrome shots."—San Francisco Bay Guardian
"Illustrations of San Francisco street scenes and buildings, accompanied by contemplative writing about you and your meaning in a fleeting universe. Beautiful to look at and appreciate and lose yourself in."—Bob Odenkirk, comedian, actor
