Ann Charters received her B.A. at Berkeley and her Ph.D. at Columbia. She first met Kerouac at a poetry reading in Berkeley in 1956, and compiled a comprehensive bibliography of his work in 1967. A professor of English at the University of Connecticut, she is also the editor of "Selected Letters of Jack Kerouac" and the "Portable Kerouac Reader,"" "and the author of "Beats and Company: Portrait of a Literary Generation,"
Michael McClure is a novelist, musician, playwright and poet who came to prominence in the 1950s as a central figure of the beat generation. McClure’s recent books are Of Indigo and Saffron: New and Selected Poems (University of California Press, 2010) and Mysteriosos and Other Poems (New Directions, 2010). He is the recipient of numerous awards, including the Guggenheim Fellowship, an Obie Award for Best New American Play, a Rockefeller Grant for Playwriting, the Josephine Miles Literary Award and the Alfred Jarry Award. He has written more than twenty plays, which are regularly performed in the United States and abroad. The notorious The Beard became a touchstone for anti-censorship lobbyists when its first performances in San Francisco and Los Angeles in 1965 were raided by police and the actors charged with obscenity.
Michael McClure often performs his poetry with Doors keyboardist Ray Manzarek accompanying on piano. The pair have worked together on several albums. McClure has also collaborated with composer Terry Riley; their recent album is I Like Your Eyes Liberty. McClure wrote the pop song “Mercedes Benz” with Janis Joplin and beat poet Bob Neuwirth. He is married to the sculptor Amy Evans McClure.
