About the Book
Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains:
Pictograms from the Interior of B.C. (1975)
Loki Is Buried at Smoky Creek (1980)
Owner’s Manual (1981)
Breathin’ My Name with a Sigh (1981)
Grasp the Sparrow’s Tail (1982)
Waiting for Saskatchewan (1985)
So Far (1991)
The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently teachable” volume. The book includes full-colour facsimiles of two early books, Earth and Tree, reproduced to show the hands-on” object-based aspect of chapbook publishing.
About the Book
Studying at UBC in the early 1960s, he was one of the founding editors of the poetry newsletter TISH.
After graduate work with Robert Creeley at the University of New Mexico and with Charles Olson at SUNY, Buffalo, he returned to the Kootenays in the late 1960s, founding the writing program at DTUC before moving on to teach at the University of Calgary. A pioneer of online publishing, he has mentored a generation of some of the most exciting new voices in poetry today.
Of his seventeen books of poetry, is a door received the BC Book Prize, Waiting For Saskatchewan received the Governor-General’s Award and So Far was awarded the Stephanson Award for Poetry. Diamond Grill, a biofiction about hybridity and growing up in a small-town Chinese-Canadian café won the Howard O’Hagan Award for Short Fiction, and his collection of critical writing, Faking It: Poetics and Hybridity, received the Gabrielle Roy Prize.
Wah was appointed to the Order of Canada in 2012. He served as Canada’s Parliamentary Poet Laureate from 2011 to 2013.
To learn more about his work, visit The Fred Wah Digital Archive.