Greg Pak was named one of American Top 10 comic book writers by Wizard magazine. He has written the Marvel comics Planet Hulk, World War Hulk, Skaar: Son of Hulk, Incredible Hulk, Incredible Hercules, Warlock, X-Men: Phoenix Endsong, Magneto, Iron Man, War Machine, and Battlestar Galactica (Dynamite Entertainment).
Greg Pak directed his first feature film "Robot Stories" which has played nationwide and won over 30 festival awards. With clients including Nike and Marvel Comics, he edits FilmHelp.com and AsianAmericanFilm.com. One of Filmmaker Magazine's 25 Filmmakers to Watch, Greg studied political science at Yale, history at Oxford University as a Rhodes Scholar, and film at NYU's graduate program. David Henry Hwang is a playwright, screenwriter, and librettist, best known as the author of M. Butterfly, which won the 1988 Tony©, Drama Desk, John Gassner, and Outer Critics Circle Awards, and was a finalist for the Pulitzer Prize. He graduated from Stanford University and attended the Yale School of Drama.
David Henry Hwang’s stage works includes the plays M. Butterfly, Chinglish, Yellow Face, Kung Fu, Golden Child, The Dance and the Railroad, and FOB, as well as the Broadway musicals Elton John & Tim Rice’s Aida (co-author), Flower Drum Song (2002 revival) and Disney’s Tarzan. Hwang is a Tony Award winner and three-time nominee, a three-time Obie Award winner, and a three-time finalist for the Pulitzer Prize. He is also the most-produced living American opera librettist, whose works have been honored with two Grammy Awards. He co-wrote the Gold Record Solo with the late pop icon Prince, and worked from 2015-2019 as a Writer/Consulting Producer for the Golden Globe-winning television series The Affair. He is currently writing the live-action musical feature film The Hunchback of Notre Dame for Disney Studios. His newest work, Soft Power, a collaboration with composer Jeanine Tesori (Fun Home), premiered at Los Angeles’ Ahmanson Theatre, where it won six Ovation Awards. Its subsequent run at the Public Theatre in NYC received four Outer Critics Honors, eleven Drama Desk Nominations, a Grammy nomination for Best Musical Theatre Album, and was a finalist for the 2020 Pulitzer Prize in Drama.