Praise for Sleep is Now a Foreign Country
"An inherently fascinating and engaging read from start to finish."
—Midwest Book Review
"Daredevils interested in a bold and singular literary experiment may want to tackle this knotty mind-bender."
—Literary Review of Canada
"For all the ways Barnes’s book is indescribable, this much is true—it is a thing of beauty and courage.”
—Brain Bethune, Toronto Star
“It’s a beautiful book.”
—Manjula Selvarajah, CBC Fresh Air
"Mike Barnes is one of those rare writers who can do it all—in poetry, short fiction, novels, and memoir, he takes readers on nuanced, brainy, powerfully moving journeys."
—Open Book
“The narrative here is winding … Barnes uses this structure to great effect, plunging you into madness with him … This memoir is true art.”
—Alison Manley, The Miramichi Reader
"Mike Barnes’s book Sleep is Now a Foreign Country is lyrically and brilliantly inventive."
—David Gutowski, Largehearted Boy
“At times memoir, at times dissociative fable, at times personal essay ... the writing maintains breath-close nearness to the perceptions of the narrator ... akin to being in a diving bell with the storyteller, extremely intimate and viscerally suffocating ... culminat[ing] in a feeling of waking from a vivid dream not quite remembered.”
—Micheline Maylor, Quill & Quire
"The volume’s particular magic lies in Barnes’s adept use of free-flowing chronology and hallucinatory language to immerse readers in the depths of his psychosis ... This isn’t easy to forget."
—Publisher's Weekly
"As riveting as it is terrifying, as mysterious as it is illuminating, Mike Barnes's Sleep is Now a Foreign Country takes us inside the claustrophobic, kaleidoscopic world of madness. Like a sedimentary rock, layers of meaning are stacked upon one another inside its slim pages, building a structure so unlike any other book that you can't put it down without being changed."
—Alicia Elliott, author of A Mind Spread Out on the Ground
“Sleep is Now a Foreign Country is an intricately structured rendering of madness and memory, a mix of hallucination and dense, concrete realism, which only makes the phantasmagoria of illusion all the more poignant. This is an amazing work—supremely intelligent, coolly self-analytical, eerie, melancholy, revelatory and terrifying.”
—Douglas Glover, winner of the Governor-General’s Award for Elle
Praise for Mike Barnes
“Timely, lyrical, tough, accurate.”
—Margaret Atwood on Twitter
“Masterful … The Adjustment League is suspenseful, exquisitely written and—at times—corrosively funny.”
—Maclean’s
“Fiercely alive, marked by a sharp, unerring eye for detail and a wonderful way with metaphors.”
—Toronto Star
“Poetically compelling and evocative … The Lily Pond is the ultimate act of recollection.”
—Quill and Quire
