Intertidal

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Pub Date: 03/06/2018

Pages: 608

Publisher: Talonbooks

Imprint: Talonbooks

ISBN 13: 9781772011784

ISBN 10: 1772011789

Price: $49.95 / $64.99 CAN

Category: POETRY / Canadian

Intertidal

By Daphne Marlatt, Susan Holbrook

Price: $49.95

About the Book

An early member of the avant-garde TISH group, which turned Canadian poetry for the first time to a focus on language, Marlatt’s career has spanned five decades and a range of formal styles and concerns. Intertidal: The Collected Earlier Poems offers Marlatt’s perceptual and Vancouver-centric work of the 1970s, her feminist writing of the 1980s, and her later collaborative work. Intertidal collects a broad selection of this poet’s groundbreaking work, including poetry from sixteen published collections and a number of previously unpublished or uncollected poems. The volume contains:
Frames of a Story (1968)
leaf leaf/s (1969)
What Matters: Writing (1968–1970)
Vancouver Poems (1972)
Our Lives (1972–1975)
Steveston (1974)
“Month of Hungry Ghosts” (1979)
“A Lost Book” (1970s)
“Here and There” (1981)
How Hug a Stone (1983)
Touch to My Tongue (1984)
Salvage (1991)
“small print” (1993)
“Sea Shining Between,” “Impossible Portraiture,” “Tracing the Cut” (2002)
“Generation, generations ...” (Coda to the 3rd edition of Steveston, 2001)
Between Brush Strokes (2008)

The later chapbook, Between Brush Strokes, is reproduced in full-colour, facsimile edition. The collection includes an introduction by Susan Holbrook as well as a complete bibliography of the work of this West Coast, deconstructionist, lesbian, and feminist writer. Intertidal is the definitive oeuvre of Daphne Marlatt’s poetry exploring the city, feminism, and collaboration.

This is the third volume in a new series of collected works published by Talonbooks. The first two are Peacock Blue: The Collected Poems of Phyllis Webb and Scree: The Collected Early Poems of Fred Wah, 1962–1991.

About the Book

The Collected Poems is the definitive oeuvre of Daphne Marlatt’s poetry exploring the city, feminism, and collaboration.

Author

Born in Melbourne, Australia in 1942, DAPHNE MARLATT spent much of her childhood in Malaysia before emigrating to Canada. Marlatt was at the centre of the West Coast poetry movement in the 1960s while studying at the University of British Columbia with several of Donald Allen’s New American Poets, notably Robert Creeley and Robert Duncan. Her association with the loosely affiliated TISH group encouraged her non-conformist approach to both form and language. Her later association and collaboration with Canadian feminist writers led to co-founding and co-editing the bilingual feminist journal, Tessera.

Marlatt is known for her formally innovative books of poetry, including Steveston, Touch to My Tongue, Salvage, and Liquidities. Her novelistic long poem, The Given, received the 2009 Dorothy Livesay Poetry Prize. She is also the author of two acclaimed novels, Ana Historic and Taken, as well as a celebrated contemporary Canadian Noh play, The Gull.

In addition to teaching, she has served as writer-in-residence at nine universities across Canada and at the Banff Writing Studio. In 2006, Marlatt was appointed to the Order of Canada in recognition of a lifetime of distinguished service to Canadian culture. In 2012, she received the George Woodcock Lifetime Achievement Award.

PHOTO: Shazia Hafiz Ramji

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SUSAN HOLBROOK, editor of Intertidal, is also an acclaimed poet, a professor in the English department at the University of Windsor and chair of its creative writing program, and a preeminent critic of Daphne Marlatt’s work.Susan Holbrook, editor of Intertidal, is also a poet, a professor in the English department at the University of Windsor and chair of its creative writing program, and a preeminent critic of Daphne Marlatt’s work.