Of Inuit-Cree ancestry, Rachel Qitsualik-Tinsley was born in a tent on northernmost Baffin Island. She learned Inuit survival lore from her father, surviving residential school and attending university. In 2012, she was awarded a Queen Elizabeth II Diamond Jubilee Medal for numerous cultural writings. Of Scottish-Mohawk ancestry, Sean Qitsualik-Tinsley was born in southern Ontario, learning woodcraft and stories from his father. Training as an artist, then writer, Sean’s sci-fi work won 2nd place at the California-based Writers of the Future contest, published by Galaxy Press. Rachel and Sean have worked for decades as Arctic researchers and consultants. In writing together, they have published 10 successful books and many shorter works, celebrating the history and uniqueness of Arctic shamanism, cosmology, and cosmogony. Their novel, Skraelings: Clashes in the Old Arctic, was a Governor General Awards Finalist and First Prize Burt Award winner.
Emily Fiegenschuh attended art school at the Ringling College of Art and Design in Sarasota, FL, and graduated with honours and a BFA from the Illustration program. She has illustrated numerous Dungeons and Dragons rulebooks for Wizards of the Coast, and has contributed cover and interior illustrations to the novel series Knights of the Silver Dragon. She illustrated the ten-part fantasy story “The Star Shard” by Frederic S. Durbin for Cricket Magazine. Her art has also appeared in New York Times bestsellers A Practical Guide to Dragons and A Practical Guide to Monsters. Emily lives with her husband in the Seattle area.
Larry MacDougall is an award-winning illustrator living in Stoney Creek, Ontario. Some of his recent projects include The Secret History of Giants, Eragon’s Guide to Alagaesia, and The Secret History of Hobgoblins. His work has been published in Spectrum Illustration Annuals for science fiction and fantasy art, and he won a Silver Award in Spectrum Annual 15. Larry has always been interested in mythology, faerie tales, and folktales, so turning to Inuit mythology was a natural step for him. He especially enjoys illustrating Inuit myths.
