“The best British musical in decades.” —Daily Express
“Brilliant... a soaring achievement... a tightly wrought tapestry of intergenerational harmony and conflict... a towering feat of contemporary musical theatre. It stands as a shining tribute to the combined power of both popular music and stage storytelling, and subsidised and commercial theatre. Unmissable.” —WhatsOnStage
“Magnificent... wonderful... possesses remarkable breadth and depth... a moving and resonant piece.” —The Times
“A glorious love letter to Sheffield with a big, booming heart and astonishing sound... unstoppably winning, ineffably exuberant, extremely moving... take tissues.” —Guardian
“Stunning... an instant classic... I was blown away by the emotional power of this show... its emotional ripples hit ten on the Richter scale, repeatedly... potent, gorgeous and unlike any big-ticket musical I've seen before.” —Time Out
“Uplifting and beguiling... a bold step forward for musical theatre... smashing.” —Evening Standard
“Exhilarating and big-hearted... Bush's script is sparkily witty and affectionate, she interweaves the stories with great skill... A wonderfully generous, uplifting piece of theatre.” —Financial Times
“A deeply moving, monumental musical that really matters... offers rare intellectual and emotional ambition... deserves to be a huge hit.” —Telegraph
“Something special... it worked its tender magic on me.” —Sunday Times
“Fresh and original, gripping and full of hope... a feisty gem of a show.” —Reviews Hub
“A huge-hearted, stirring show... a salute to resilience and community. It's jubilant and defiant, with the emotional force of a juggernaut... it elevates the extraordinary in ordinary lives, while charting 60 years of social change... both tough and tender, it seizes your heart and squeezes it tight... there's a thrilling scope and elan to the way in which the writing embraces the personal and political and the sweep of recent history, taking in the realities at the sharp end of government policies, strikes, gentrification and class inequality – all of which has obvious enduring pertinence... a triumphant tribute to all the unacknowledged battles fought and dreams pursued, all the tiny miracles of the everyday.” —The Stage
“A real tearjerker, rich in pathos.” —Independent
“The perfect blend of power and heart... Praise be for this bittersweet musical love letter to the city of Sheffield that reaches far beyond South Yorkshire to encompass a haunting meditation on the universal idea of home.” —iNews
“A tender yet powerful collage of Sheffield's spiritual and political history... The way Chris Bush conjures a sense of time and place is astonishing. She evokes the stories effortlessly in all their unspeakable totality, warmth, and sentimentality.” —Broadway World
“A sensational new British musical.” —Theatre Weekly
“This is what a new musical should be. It feels fresh and contemporary, but with all the elements that make for classic musical theatre... you'll laugh, you'll cry, and you'll be blown away... a show that bursts with spirit and energy. It leaves you feeling excited just to be at the theatre.” —Broadway Baby
“Unique and utterly beguiling... The sky's the limit for this total triumph of a British musical.” —London Theatre
“Magnificent... heartbreaking and heart soaring in equal measure, towering over other West End musicals.” —British Theatre
“An incredible achievement in modern musical theatre, It's a must see… Standing at the Sky's Edge might just be the British musical of the decade.” —West End Best Friend
