“The purpose of [the gamekeeper’s] life is absurd . . . Marginally, in the vitality of some of the wild birds or animals around him the gamekeeper deposits his minimal belief that life has another dimension . . . An outstanding book, which I read with admiration.” —John Berger
“His ear for the dialect and its comedy was pitch perfect . . . Barry understood class politics, the irreconcilable conflict between workers and employers. His book The Gamekeeper, which we filmed, captured this exactly. The title character is an ex-steel worker who now protects the land of the aristocracy and chases off his former workmates. A life in the open air for him means social exclusion for his wife and family. Is he changing sides or swapping one form of exploitation for another? Barry loved such contradictions.” —Ken Loach, The Guardian
“He has a very rare quality of loaded simplicity, a kind of eloquent stillness . . . it is the marvellously detailed observation of real unsentimental country life which compels attention as grippingly as any thriller. When bolder, gaudier stuff is long forgotten, Mr Hines's writing stays in the mind and nourishes it.” —Sunday Telegraph
“The feel and texture of country working-class life can seldom have been more faithfully recorded than they are here . . . I think this book has a quiet kind of value, easily missed, worthy of any reader's patience.” —Robert Nye, The Guardian
“The eye and the ear for country matters are as lethal as a crack shot on the Glorious Twelfth.” —The Times
“[The Gamekeeper] slyly evolves into
implied criticism of the power imbalance between working-class George and the
aristocratic Duke. Hines (1939–2016) skillfully writes in the tradition of such
North England writers as Alan Sillitoe and Keith Waterhouse. This offers a convincing
take on the strictures of class.” —Publisher’s Weekly
“Hines has a keen eye
for nature, and his prose is at its finest when describing Purse’s adventures
on the lush landscapes, especially his interactions with animals.” —Kirkus
Reviews
“A powerfully political novel that sidesteps
overt polemic, The Gamekeeper
observes, with studied neutrality, the beauty and brutality of the natural
world and contrasts it with the wilful brutality of the sporting estate. Our
hero is, of necessity, a cog in a system that warps the land and those who work
it into status symbols. It is a dynamic from which, nearly fifty years on, we
still have not escaped. The Gamekeeper
is a compelling novel-as-documentary that deserves a new generation of readers.”
—Gregory Norminton
