Desert Cabal

"Preserving wilderness is even more important now than it was half a century ago, but the stakes aren't as simple as Edward Abbey set them out to be. Desert Cabal has riled up some Abbey fans, but that’s exactly what makes it an important read."

—OUTSIDE


"With humor, wisdom and a sense of urgency, Irvine uses Desert Solitaire as a jumping off point to assess the current state of the world, to expose the very human error of the literary heroes on dusty pedestals, and to reinsert many of us back into the narrative… No matter your feelings about Edward Abbey, Irvine's Desert Cabal adds necessary depth to the dialogue. Many of us have been waiting years for that.”

—ALBUQUERQUE ALIBI


"While Irvine shares the love Abbey, who died in 1989, had for Utah's public lands, she contends some views and sentiments from his time need to be challenged. She points out privileges Abbey enjoyed as a white male; she questions his use of 'Abbey’s country.' From Abbey's first morning in the desert to his tale of a snake that guarded his campsite, Irvine questions and compares their experiences, including their failed marriages."

—THE SALT LAKE TRIBUNE


"At once intimate and expansive…a reminder that individuals, even titans like Abbey, can only do so much to save the 'best places.' It really does take a village (or cabal)."

—TELLURIDE INSIDE AND OUT


“A lyrical, raw and vulnerable conversation.”

—TELLURIDE DAILY PLANET


"Fierce and clear—Irvine’s book effectively confronts the ritual of veneration and brings the reader closer to appreciating Abbey's work in a more constructive, relevant and productive frame than what has been allowed in the last five decades."

—THE UTAH REVIEW


"The news Irvine breaks graveside is that the world, and specifically 'Abbey's country,' has changed… and there's no telling where [Abbey's] sentiments would place him in a landscape that now includes Standing Rock and Black Lives Matter, a generation of female activists and the #MeToo movement."

—SANTA FE REPORTER


"A lyrical and raw conversation between Irvine and Abbey that is part tribute, part memoir, and part polemic. It'll get you thinking about the state of the desert, the fate of the wilderness movement and the actions we all need to take to save the places we love (including leaving them alone)."

—ADVENTURE JOURNAL


"Spirited, fast–paced, passionate, at once humorous and provocative, and all rendered in gorgeous prose. A celebration of public lands and a heartfelt work of resistance."

—HIGH DESERT JOURNAL


"A slim volume reminiscent of the mass–market paperback copies of Desert Solitaire that so many of us have stuffed into a dusty backpack or stowed in the glove compartment on national park road trips. Irvine tells Abbey about climate change, fossil fuel dependence, and the environmental pickle in which we've found ourselves."

—PACIFIC STANDARD


"This iconoclastic inner discussion with her predecessor, Abbey, is fascinating—wherein Irvine challenges Abbey to consider his myopic, privileged perspective without failing in her deference for his attempt to raise consciousness of an entire generation prior."

—SLUG MAGAZINE


"Irvine gradually builds to a ringing conclusion, stating simply and clearly that wilderness lovers 'need intimacy with people every bit as much as with place' and that 'going it alone is a failure of contribution and compassion.'"

—PUBLISHERS WEEKLY


"While an admirer of Abbey, Irvine illuminates his dated attitudes as she writes a love letter to the Utah desert. This brief series of essays will be enjoyed by those who treasure the desert, environmental activists, and fans of Desert Solitaire."

—LIBRARY JOURNAL


"A grief–stricken, heart–hopeful, soul song to the American Desert, a wail, a keening, a rant, a scolding, a tumult, a prayer, an aria, and a call to action. Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them. In this time of all out war being waged on America's Public Lands, I'm glad she's on my side."

—PAM HOUSTON, author of Deep Creek


"Amy Irvine is Ed Abbey's underworld, her roots reaching into the dark, hidden water. In a powerful, dreamlike series of essays, she lays Desert Solitaire bare, looking back at the man who wrote the book and the desert left behind. This stream of consciousness, this conversation, this broadside is an alternate version of Abbey's country. It is another voice in the wilderness.”

—CRAIG CHILDS, author of Virga & Bone


"Half riot, half tribute, this is a roadmap through a crisis that neither Abbey nor any of us imagined."

—MARK SUNDEEN, author of The Man Who Quit Money


"If you've ever talked back to the canonical tomes of the environmental movement, this is a book for you. Here are the women, the people, the children, and the intimate dangers those old books so frequently erased. Here is a new and necessary ethic that might help us more openly love the land and the many living beings who share it."

—CAMILLE T. DUNGY, author of Guidebook to Relative Strangers