Zirconia ...................... Bad Bad

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Pub Date: 08/13/2019

Pages: 224

Trim: 8 x 7

Publisher: Fence Books

Imprint: Fence Books

ISBN 13: 9781944380113

ISBN 10: 1944380116

Price: $18.00

Category: POETRY / American / General

Zirconia ...................... Bad Bad

By Chelsey Minnis, Ariana Reines

Price: $18.00

Format:

Paperback

About the Book

Collected in this volume are Chelsey Minnis’s first two books: Zirconia (winner of the Alberta Prize) and Bad Bad. Zirconia introduced a speaker described as “half-smirking, half-weeping” by the Village Voice. Minnis heralded the gurlesque, a term coined for the occasion and defined as “a feminine, feminist incorporating of the grotesque and cruel with the spangled and dreamy.”

Bad Bad ushers Zirconia’s juvenile persona into unblushing womanhood. The poems are equally clownish and fuck-offish, taking on with equivocal weightlessness the lexicons and trimmings of fashion, as it applies to the Self and the garments that clothe the Self, and self-obliteration. Minnis addresses the inner needs of the poet—“the purpose of poetry is to seem as lifelike as possible so that you actually exist.”

About the Book

This poet’s rapt, driven affect and glazed wit heralded a new strategy in the mitigation of female self-hatred in poetry.

Author

Chelsey Minnis was born in Dallas and grew up in Denver. She attended the University of Colorado at Boulder and the Iowa Writers’ Workshop. She is the author of Baby, I Don't Care, Poemland, Zirconia, Foxina, and Bad Bad. She lives in Boulder, Colorado.Born in Salem, Massachusetts, poet, playwright, and translator Ariana Reines earned a BA from Barnard College, and completed graduate work at both Columbia University and the European Graduate School, where she studied literature, performance, and philosophy. Her books of poetry include The Cow (2006), which won the Alberta Prize from Fence Books; Coeur de Lion (2007); and Mercury (2011). Her poems have been anthologized in Against Expression (2011) and Gurlesque (2010). Known for her interest in bodily experience, the occult, new media, and the possibilities of the long or book-length form, Reines has been described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm. At once personal, Romantic, slippery, and extreme, Reines’s poetry investigates and overturns lyric conventions. Of her own work, she admitted in an interview with HTML Giant: “My best writing seems to have to be forced from me by some other force but that force has to be one whose power I agree to serve.”

Reines’s first play Telephone (2009) was performed at the Cherry Lane Theater and received two Obie Awards. A re-imagining of its second act was featured as part of the Guggenheim’s Works+Process series in 2009, and the script was published in Play: A Journal of Plays in 2010. Reines’s translations include a version of Baudelaire’s My Heart Laid Bare (2009); Jean-Luc Hennig’s The Little Black Book of Grisélidis Réal: Days and Nights of an Anarchist Whore(2009); and Tiqqun’s Preliminary Materials Toward a Theory of the Young-Girl (2012).

Reines has taught at Columbia University and the European Graduate School, and was the Roberta C. Holloway Lecturer in Poetry at the University of California-Berkeley in 2009, the youngest poet to ever hold that position. She has traveled to Haiti multiple times as part of the on-going relief efforts there.