Black Diamonds

“Young is a poet of superb gifts that inform her prose at every turn. Black Diamonds is a book to treasure that is full of stories that are rich in memory and landscape.”

—JAY PARINI, author of Borges and Me: An Encounter

“Young’s revealing sentences sculpt an image of Lackawanna Valley that is both tender and terrifying.”

—TAYLOR BRORBY, author of Boys and Oil: Growing Up Gay in a Fractured Land

“With Young’s remarkable gift for description, she depicts the cost of the Pennsylvania coal boom to the land and the families who mined it with a loving honesty and a lyricism that will honor the Lackawanna Valley and its people for a long time to come.”

—NATALIE S. HARNETT, author of The Hollow Ground, winner of the Appalachian Book of the Year Award and the John Gardner Book Award

"Black Diamonds tells a compelling story of the complicated love of place particular to coal communities. Young brings a refreshing new voice to our grasp of geographical kinship. This much-needed memoir offers a uniquely empathetic critique of extractive communities. I look forward to placing it on my shelf next to Terry Tempest Williams’ Refuge."

—JOHN HAUSDOERFFER, co-author and co-editor of What Kind of Ancestor Do You Want to Be?

“A fascinating, imperative recollection of her early years growing up in a fossil fuel economy, Black Diamonds is a tale told only as Catherine Young could tell it. It’s beautifully written with rich detail and warmth, from a place of memory, love and escape. Reading this, I now have an intimacy with the Lackawanna Valley and its industry I could not have expected, and for that I am grateful.”

—SIMMONS BUNTIN, Editor-in-Chief of Terrain.org, author of Unsprawl: Remixing Spaces as Places

“A breathtaking memoir. Young’s voice is electrifying.”

—ALEXIS POWELL, The King’s English Bookshop

“Catherine Young paints a lovely and dreamlike poem-portrait of her childhood in a Pennsylvania coal town. Black Diamonds beautifully captures a transformative moment in American history and is a skillfully written and remarkable ode to Place.”

—JONATHAN P. THOMPSON, author of Sagebrush Empire: How a Remote Utah County Became The Battlefront of American Public Lands

"Together with George Inness’s famous The Lackawanna Valley painting, Young vividly depicts the anthracite coal town of her childhood. As she recounts life in coal country in the 1960s, she deftly weaves together threads of hardship and comfort, grief and acceptance, and change and stagnation. With poetic and evocative prose, Young’s Black Diamonds reveals how coal—like its black dust—is inescapable.”

—ARYN G. N. SCHRINER, University of Maryland