"Ann Goldstein gracefully captures Jarre's alternation of warmth and indignation, of poignant observation and buried regret—the breadth of a most human writer . . . Return to Latvia is a memoir with real questions about shared history and atrocity. How can we look for the truth when no one will speak it?"—Words Without Borders
"A lush and devastating chronicle of a woman’s return to her birthplace to excavate her family’s tumultuous past. Exquisitely written, this contemplative narrative takes you into the heart and mind of a woman in search of truth."—Shelly Sanders, author of Daughters of the Occupation
“Marina Jarre’s Italian sounds like no other . . . Today her reflections on dislocated temporality, female subjectivity and power dynamics sound pioneering . . . Hers is neither a personal investigation nor a trial post facto, but rather a moral, philosophical inquiry.”—The European Review of Books
"A compelling read . . . Jarre recounts a chapter in history we still do not fully understand, whose lessons we often fail to heed as anti-Semitism re-emerges again and again . . . We readers are the grateful, if tearful, recipients of this revelatory largesse."—Full Stop
"A writer uncovers the cruel reality of her family's past . . . A harrowing, culturally rich memoir."—Kirkus Reviews
"Return to Latvia is an introspective memoir that reckons with the generational trauma and fragmented memories found in the long shadow of the Holocaust."—Foreword Reviews (Starred review)
"Return to Latvia, which Jarre wrote in 2002 following a two-week trip to Latvia with one of her adult sons, represents her final reckoning with the father she hardly knew . . . She manages to piece together a history of her Jewish ancestors and to uncover relationships of which she was unaware . . . Ann Goldstein’s lucid translation ends . . . in a moment tender and haunting.”—Jewish Book Council
"A profoundly moving memoir . . . This is a story of Guilt with a capital 'G' . . . a fascinating book—not only a memoir like Distant Fathers, but a travelogue, an essay on the quest for truth."—ArtMuseLondon
"Jarre unfolds the collective history, trauma, and (post)memory of the Holocaust in Latvia . . . Return to Latvia is at the same time a novel, an autobiography, a memoir, a travelogue, an essay, and a writer's diary. It even resembles a detective story."—Reading in Translation
"A noble book . . . that like those of Primo Levi should be read by everyone.” —Indice dei libri del mese
"Jarre has a moral motivation: to understand behavior as much as possible, to peer into the abject abyss, to probe the reasons for a conspiracy of silence.—Corriere della Sera
"Marina Jarre is an original, powerful and incisive writer . . . Her works―true, small-scale, essential masterpieces―have found passionate readers and critics and have an indisputable place in Italian literature of the past fifty years."—Claudio Magris, author of Danube and Blameless
Praise for DISTANT FATHERS
"Recounts a life of displacement through rich sense memories . . . The book's elliptical string of fragments captures the nonlinear nature of memory." —The New Yorker
"Although Jarre, who died at 90 in 2016, published more than dozen works of fiction and nonfiction ... Distant Fathers is the first of her books available in English. It must not be the last ... Written in lucid, luminous prose." —The Los Angeles Review of Books "A beautifully ingenious memoir, saturated in the history of the European 20th century, and made all the more compelling by Ann Goldstein's luminous translation."—Vivian Gornick, author of Fierce Attachments
