<p><strong><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;">INTRODUCTION</span></strong></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>THE SCHOLARS OF LIGHT. </strong>Plato and Aristotle. / Lucretius. / The Enneads of Plotinus. / Al-Kindi. / Alhazen. / Avicenna and Averroes. / Grosseteste's Theory. / Liber de Intelligentiis. / Bacon. / Convex Lenses. / The Evolution of the Camera Obscura. / Francesco Maurolico. / The scientific revolution and the debate on the nature of light in the 17th century. / René Descartes. / Isaac Newton. / Thomas Young. / Wolfgang von Goethe. / Chevreul's Chromo-Luminist Theory.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>THE LUMINOUS VISIBLE OR THE CONFLICT BETWEEN LIGHT AND MATTER. </strong>Traces of Light.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>LIGHT IN ART. </strong>Light becomes visible as an incident ray. / A Lesson from Maestro Merisi. / The Luminist Consequences of the Baroque.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>THE LUMINOUS IN NEO-IMPRESSIONISM AND DIVISIONISM.</strong></span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>A PLAY OF LIGHT</strong></span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;"><strong>CONCLUSION</strong></span></p>
<p><strong><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px;">BIBLIOGRAPHY</span></strong></p>