Linda Foard Roberts makes work that is deeply personal, rooted in memory, family and local histories, and combined with philosophical inquiries about life, death, and basic human rights. Roberts is a recipient of a 2020 Guggenheim Fellowship in support of her project Lament, a song of sorrow for those not heard. Preferring the imperfections of old lenses and the history inherent within them, her work is metaphorical and layered, intending to cross language and cultural barriers. Posing the environment as a reflection of ourselves, her photographs engage the transformative cycles that shape our lives, bound by time and what it means to be human, a foundation upon which we can all find common ground. Her work has been exhibited across the United States and internationally, at venues in Australia, Guatemala, Argentina, and Germany. She is represented by SOCO Gallery in North Carolina and Sol del RIO in Guatemala. Roberts lives and works in Charlotte, North Carolina.
Michelle Lanier is on the faculty at the Center for Documentary Studies at Duke University. She is the Director of North Carolina's Historic Sites, which is 26 museum spaces, historic structures, and Civil War-era battlefields, former plantation spaces, and an 18th-century gold mine. Her film, Mossville, reveals a global south story of resistance to environmental racism, has been translated into five languages, screened on six continents, and chosen by the United Nations in an effort to raise awareness about the climate crisis and its impact on the lives of people of African descent.
*Additional contributors pending*
Michelle serves as the first executive director of North Carolina’s African American Heritage Commission, which strives to preserve, promote, and protect the state's African American history, arts, and culture for all people. With roots in North Carolina on both sides of her family, she has familial ties to Historic Stagville, the state's African American Music Trail, the Charlotte Hawkins Brown Museum (Palmer Memorial Institute), Black Wall Street, and many of the state's historically black colleges and universities. Michelle received her undergraduate degree at Spelman College under the renowned Dr. Johnnetta B. Cole. Her graduate degree, in Folklore, with an emphasis on African Diaspora and Black Southern life, was attained at UNC-Chapel Hill. Her career in cultural heritage preservation began with community-based work in Orange, Durham, and Alamance counties and continued through her work as an educator at the Center for Documentary Studies at Duke University. Michelle began working as curator of multicultural initiatives for the Division of State Historic Sites in 2006. In 2008, with a team of colleagues, she helped to create, by general statute, the state's African American Heritage Commission (AAHC). From 2012 to present she has served as a member of the senior staff of the NC Arts Council, where the AAHC is based. Michelle's work has taken her to Panama and Ghana to document African Diaspora funerary traditions, and her ethnographic work in a Carolina Gullah community led to her role as a liaison to the Gullah Geechee Cultural Heritage Corridor. She has had the honor of growing the impact of two cultural heritage trails--The African American Music Trails of Eastern North Carolina and Freedom Roads. Additionally, she has worked in leadership roles with several initiatives funded by the Institute of Museum and Library Services, including the Gathering Place Project and the Green Books’ Oasis Spaces. In 2017, Michelle was invited by Yale's Gilder Lehrman Institute to join a collective of thought leaders in public history. Michelle continues to use her background as a folklorist, public historian, documentary educator, oral historian, and cultural preservationist to connect communities to the rich and transformative power of North Carolina's African American heritage.
