"This is a magnificent book that gives us the metamorphoses of the last Genet, the poet of the jouissance of evil saved from abjection by his sacred relation with the language of the sublime."
—Elisabeth Roudinesco
"Genet's last journey, as revealed by Laroche, is imbued with beauty, metamorphosis and emancipation on one hand, and monstrosity, nihilism and hopelessness on the other. An indispensible study for readers interested in Genet, the Black Panthers, the Palestinian/Israeli conflict or, more generally, the philosophy of humanism."
—Kirkus Reviews
"Highly recommended for readers interested in Genet and his works."
—Library Journal
"Laroche's exhaustive research provides a historical framework for examining Jean Genet's later non-fiction work, particularly Prisoner of Love, and the ways in which his political ideals and experiences shaped his worldview."
—Publishers Weekly
"Hadrien Laroche’s eloquent, evocative meditation on mid-20th-century French writer Jean Genet focuses on the last and surprising phase of the life of an author remembered as a scandal-causing gay novelist, experimental playwright and defender of the oppressed ... Ably translated by David Homel, Laroche’s book serves as a timely homage that marks the centenary of Genet’s birth on December 19, 1910 ... Laroche writes in the tradition of the French essay, at once lyrical and densely analytic. It’s a line of thought that runs from Montaigne through Camus and all the way up to Derrida. Laroche meditates on the images of the era (including that emblematic triumvirate of sex, drugs and rock ’n’ roll), the oscillations of politics and violence, and on the last years of the paradoxical Genet, rebel and humanist."
—Stan Persky, The Globe and Mail
"This is a magnificent book that gives us the metamorphoses of the last Genet, the poet of the jouissance of evil saved from abjection by his sacred relation with the language of the sublime."
—Elisabeth Roudinesco
"Genet's last journey, as revealed by Laroche, is imbued with beauty, metamorphosis and emancipation on one hand, and monstrosity, nihilism and hopelessness on the other. An indispensible study for readers interested in Genet, the Black Panthers, the Palestinian/Israeli conflict or, more generally, the philosophy of humanism."
—Kirkus Reviews
"Highly recommended for readers interested in Genet and his works."
—Library Journal
"Laroche's exhaustive research provides a historical framework for examining Jean Genet's later non-fiction work, particularly Prisoner of Love, and the ways in which his political ideals and experiences shaped his worldview."
—Publishers Weekly
"Hadrien Laroche’s eloquent, evocative meditation on mid-20th-century French writer Jean Genet focuses on the last and surprising phase of the life of an author remembered as a scandal-causing gay novelist, experimental playwright and defender of the oppressed ... Ably translated by David Homel, Laroche’s book serves as a timely homage that marks the centenary of Genet’s birth on December 19, 1910 ... Laroche writes in the tradition of the French essay, at once lyrical and densely analytic. It’s a line of thought that runs from Montaigne through Camus and all the way up to Derrida. Laroche meditates on the images of the era (including that emblematic triumvirate of sex, drugs and rock ’n’ roll), the oscillations of politics and violence, and on the last years of the paradoxical Genet, rebel and humanist."
—Stan Persky, The Globe and Mail
