Praise for Dream Apartment
"Elegiac for both self and species, Dream Apartment names, as a title, the overlapping and inter-animation of interior and exterior structures. Through brilliant enjambment, agile movement, textural acoustics, and rhythmic mastery, Olstein delivers a skilled yet deeply felt portrait of existential and ecological extinction, making the book an important marker of a shift from 'weird' to 'worldly,' from 'ludic' to 'lucid.'"—Preposition Mag
"A formal restlessness echoes the particularities of this mind at work. Olstein moves between haibuns, short-lined enjambments, and concrete poems shaped like arrows. Sonic riffs propel the collection: vessel morphs into vassal, plum meets plumb as sound shapes the mind’s momentum. Wit, word play, and tonal shifts abound."—Rebecca Morgan Frank, Harriet Books, Poetry Foundation
"There is such an interesting shift in tone, rhythm, and effect through her evolution of lyric structures, one that allows for the larger shape of the collection to emerge out of shared purpose amid myriad structures. . . . Each shape and patter attends uniquely to the music of each line, offering a precise and dreamy effect through her examinations, and even negotiations, on how one lives or might live in the world."—Rob McLennan's Blog
Praise for Lisa Olstein
"An accomplished poet, she often uses language beautifully and inventively.” —New York Times Book Review
“Is she just smarter about syntax, more articulate about human drama, more imaginative about eeriness, more insightful about sadness, more capable of turning a novel phrase, more engaging a storyteller than nearly all the rest of her peers? Well, yes.” —The Huffington Post
“Tenderness, then, is a form of resistance. It allows Olstein to create intimacy on the page not only among those who inhabit these poems, but also in those of us reading them. . . . With this book, Olstein has declared herself a poet worth watching”—The Rumpus
"Brilliant and provocative . . . Olstein realizes that the rules of language must be questioned, interrogated, and revised from within."—The Literary Review
"Taut, sonically driven and darkly funny."—The Volta
"This poet brings a sparkling consciousness to the page."—Library Journal
