The Revolution Starts at Home
About the Book
Praise for The Revolution Starts at Home:
My joy and gratitude at the original publication of Revolution Starts at Home is now only exceeded by my excitement in the reprinting of this essential text. If we are to build visionary communities rooted not only in resistance but also in love, we need this book, and books like it, for survival. It is as simple as that.” Walidah Imarisha, author of Angels with Dirty Faces: Three Stories of Crime, Prison, and Redemption
This book has brought me back from the brink of desperation many times. Its creative, real-world stories of interrupting intimate partner violence without using police or social services strengthens our community, builds our collective imagination, celebrates our resiliency, and pushes us to hone our practice. I keep a stockpile of this book on my shelf for giftingit's required reading for justice seekers. Shira Hassan, founder and principle consultant for Just Practice.
The editors of The Revolution Starts at Home have provided a landmark resource: an anthology by and for survivors of sexual assault lead by editors of color, all three of whom are revolutionary leaders seeking to deconstruct the structures that uphold violence in activist communities. For anyone who believes that the personal is deeply political in social justice circles, The Revolution Starts at Home is a must-read.”- Allison McCarthy, Ms Magazine
The Revolution Starts at Home is a mirror to look into when doing the work of 'transforming ourselves to transform the world', as Grace Lee Boggs taught us. The voices in this collection speak from their own experiences, modeling vulnerability that, for me, was freeing as I turned to face the patterns of personal and organizational abuse in my life. This book is an offer towards wholeness, and can heal you if you let it.” adrienne maree brown, co-editor of Octavia’s Brood: Science Fiction Stories from Social Justice Movements
The book isn't just about how social services and state intervention can leave already vulnerable communities more at risk when it comes to addressing interpersonal violence; the personal essays, real-world testaments, and tools provided are about taking transformative justice to the next level and creating community and self-accountability.” Kjerstin Johnson, Bitch Magazine
Ching-In Chen is the author of The Heart's Traffic.
Jai Dulani is a writer and multimedia artist who has worked for racial and gender justice at the intersections of LGBTQ, youth, immigrant justice and anti-violence movements for over a decade in New York City.
Leah Lakshmi Piepzna-Samarasinha is author of the Lambda Award-winning Love Cake, as well as Dirty River and Consensual Genocide.
About the Book
Ching-In Chen is the author of The Heart's Traffic, and a genderqueer and multi-genre writer. Born of Chinese immigrants, they are a Kundiman, Lambda and Callaloo Fellow and a member of the Macondo and Voices of Our Nations Arts Foundations writing communities. A community organizer, they have worked in the Asian American communities of San Francisco, Oakland, Riverside and Boston, as well as helped organize the third national Asian Pacific American Spoken Word and Poetry Summit in Boston. Chen is also the co-editor of Here Is a Pen: an Anthology of West Coast Kundiman Poets.
Jai Dulani, Senior Development Manager at Race Forward, is a writer, filmmaker and social justice activist. From 2011- 2015, Dulani served as Co-Director of FIERCE, supporting the leadership and power of LGBTQ Youth of Color who are organizing at the intersections of gentrification and police violence. Dulani has been a Kundiman Asian American Poet Fellow, a VONA/ Voices Fellow, and a BCAT/ Rotunda Gallery Multi-Media Artist-in-Residence.
Leah Lakshmi Piepzna-Samarasinha is a queer disabled femme writer, performance artist and educator of Burgher/Tamil Sri Lankan and Irish/Roma ascent. The author of the Lambda Award-winning Love Cake, as well as Dirty River, Bodymap, and Consensual Genocide, her writings on femme of color and Sri Lankan identities, survivorhood, and healing, disability and transformative justice have appeared in the anthologies Octavia's Brood, Dear Sister Letters Lived, Undoing Border Imperialism, Stay Solid, Persistence: Still Butch and Femme, Yes Means Yes, Visible: A Femmethology, Homelands, Colonize This, We Don’t Need Another Wave, Bitchfest, Without a Net, Dangerous Families, Brazen Femme, and A Girl’s Guide to Taking Over The World.