“Anglo-American Modernism has lost none of its fascination over time. We still study the dramatic innovations that seized the early 20th century, for good reason: we can be surprised anew at the artistic vigor, the trenchant squabbles among big personalities, the dramatic innovations in arts that echoed throughout the culture. Focused on the period 1912 to 1917, this collection of documents includes familiar choices—the Imagist manifesto, statements about and from Poetry and The Little Review—and excerpts from opinion pieces, memoirs, speeches, and other historical texts. Readers can retrace what prompted literary Modernism to arise in Chicago and link with energies elsewhere. We share the profound shock of the Great War, via firsthand testimonies of home-front tribulations and the grotesqueries of combat. We are reminded how deeply the arts and the war changed our world. Throughout, these selections testify to the power of creative thinking amid tumultuous times.”—Jayne Marek, author of Women Editing Modernism: “Little” Magazines and Literary History
“The pre-war exuberance of the Chicago scene is at once bold, determined, and wildly optimistic. The reader sees the genesis of modern poetic aesthetics and progressive politics unfolding simultaneously through an array of perspectives—Ford Madox Ford, Sherwood Anderson, W.E.B. DuBois, Ezra Pound, Ben Hecht, H.L. Mencken, John Reed, Edgar Lee Masters, William Allen White, Woodrow Wilson, Richard Aldington, Scott Nearing, Eunice Tietjens. Importantly the book gives a place of honor to the “little magazines” that shaped the American modernist movement—Harriet Monroe’s Poetry and Margaret Anderson’s Little Review.
The primary sources are memoirs, speeches, correspondence, and newspapers, a generously curated compendium that presents not only the variety of personalities but of perspectives over time—fresh insights erupting in the moment, mournful glances back, memories, revisions of memories. This deeply moving approach lends the anthology poignancy, not only of a fond glance back but also of prescience, of caution, of sorrow for a world at war again and again.”—Holly Iglesias
