Using her own “funeral playlist,” Sarah Gorham examines the intricate connections
between music, consolation, and human mortality.
The essays in this unique collection explore a diverse range of songs, including Mozart’s
“Benedictus” (The Requiem), Nina Simone’s rendition of “Black is the Color of my True Love’s Hair.” Caccini’s 17 th century madrigal “Amarilli, mia bella,” the Irish “Parting Song,” Matthew Houck’s (aka Phosphorescent) dirge-like “Be Dark Night,” and “King and Lionheart,” sung by Of Monsters and Men. But there’s also the song of a mourning dove, and the nonchalance of a human hum. All may become a medium of transcendence for the living (and, possibly, the departed).
What makes the book distinctive is its deeply personal approach. A series of memoir-like interstices reveal what art and artmaking can do to unite these subjects. By sharing her own story and the music that has shaped it, Sarah Gorham invites readers to think about their own relationship with death and what they want their own funeral playlist to look like.
Authors Note
Perchoo /The Sound of Mourning
Be Dark Night/Phosphorescent (Matthew Houck)
She’d worked with words…
Amarilli, mia bella/Caccini
Her father was a lover of…
Hum
In Iowa City, the hunt for housing…
The Four Seasons: Winter and Summer/Vivaldi
She was drawn to poetry…
Right Next Door (Because of Me)/Robert Cray
Back in Iowa, the MFA…
What happens when…
Benedictus, from The Requiem/Mozart
Not much left…
Black is the Color of my True Love’s Hair/Nina Simone
Hum
Dancing on the Ceiling/Jeri Southern
Hyfrydol/William Chatterton Dix, Rowland Pritchard
Deep inside, she’s always…
The Parting Glass/Wailin’ Jennys
Her father died in late December…
Mortality is a very thin slice…
King and Lionheart/Of Monsters and Men
Music retains its own…